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Dmitri Tiomkin
Dmitri Tiompkin was born near the plains of Russia near the end of the
19th century. Years later, he was asked how someone who was born so far
from America's plains could write majestic melodies so evocative of the
grandeur of the West. He replied, in essence, because plains are plains!
But Tiompkin's journey to the American West took a circuitous route.
He began studying music at age 5, in a family of concert musicians. He
grew up on classical music and fell in love with ballet. Later, he was
to marry a ballet dancer, who played an important role in his career.
But it was the need to make a living, early on, that helped him develop
the skills he needed to become one of the most prolific and respected
composers in Hollywood. He played piano in a movie theater in the silent
era. Watching the screen, he began to improvise, composing music as he
played, to match the action and mood he perceived in the movie. It was
his first attempt at scoring background music!
Tiompkin composed music for many kinds of films, winning him a remarkable
23 Oscars, but he is best remembered for his Western melodies. Writer
John Stanley has said that Tiompkin's work was the musical counterpart
to a Remington painting. His music played a vital role in communicating
a picture's mood.
He composed scores for films starring John Wayne, e.g. Red River, The
Alamo and Rio Bravo, and commented that Wayne's voice had a pitch and
timbre that fit almost any instrumentation, making it easy to write for
his films. Two of his Oscars were for one Western film, the score and
the title song from High Noon. And he was the first composer to have his
theme music turned into Top-Ten hits (four of them)!
The list of his best-known Western compositions includes scores from High
Noon, Rio Bravo and Red River, the themes from Gunfight at OK Corral and
Giant, music from The Alamo, including "The Green Leaves of Summer,"
and tv themes from "Rawhide" and "Gunslinger."
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